Picking up where I left off and why the site has been quiet

4932595628 a9c90e00a2 m Picking up where I left off and why the site has been quiet
Image by Writing On The Mall via Flickr

Ok, I know, I’m supposed to blog more than once a week, once a month, once in a blue moon, but it’s been kinda hectic lately.  I’m still getting used to lots of things, but basically, since my last posting, I’ve sorted out my gap year funding for Uni, have handed in several essays to support my gap year, then even started back to my +1 year. 

It’s been mad here – the youngest has changed schools – again – to a specialist unit.  The eldest tried out for grammar school.  My partner still loves his job, I founded an entirely new company, doing the same stuff (writing!), and for the first time in my life, came off incapacity benifit.  I’ll probably talk more about that whole fun experience later (and I mean fun in the exciting sense, not the sarcastic icon biggrin Picking up where I left off and why the site has been quiet )

Other than that – I’m still slowly expanding my library of ‘I wrote this, I really should share’.  Slo-o-o-w-l-y, but faithful readers will know that this is the time of year that this changes.

Yep – it’s NANO time!  Woooohoooo!

I’m so excited.  So there should be more posts, from this blog and others about how cool things are going to get.
It’s good – great – to be back.

 Picking up where I left off and why the site has been quiet

Free download – project cover sheet

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Image by mattymatt via Flickr

I’ve got these deadlines in my calendar for writing short stories, based on the duotrope theme calendar.  But my main problem is I have to do three or four of em in a month, or at least attempt an idea at them – I could postpone submitting till March and roll up to it slowly, but it’s easier, in most cases, for me simply to jump in both feet.

So I designed a deceptively simple cover sheet for my projects – it’s got space to track the idea, or outline, the title, the link, notes, and each draft status.  You can print it or simply open it and update it once a month, and is also a handy dandy cover sheet for any contracts you may need to later file.

You can download, modify and mess with the file from deadline planning – let me know if you get any use out of it?

 Free download   project cover sheet

Niche Language – Introduction

Niche language is one of those things that can encompass just about every area of written and verbal communication, so I thought I’d choose a key set of areas to look and run with them.  Our key areas here are ‘niche language’, ‘unique language and tags’, and ‘sociolinguistics’. Sociolinguistics is the hardest of the three More >

Are you as excited as I am?

2941504268 6239c47433 m Are you as excited as I am?

Image by Smithsonian Institution via Flickr

If I were the type of person that actually went for it, I’d be building so much hype RIGHT now.

Instead, I’m curious.
I launch a new project on Monday.  I’ve been talking about it all week on Facebook, and I’m so excited right now.  Seriously, bouncy excited.

I’ve got posts ready – I’ve got ideas that I want to share that could potentially change the way we all use language.
There’s a new  category coming on this blog too – so the best information will show up here, but I hope you’ll visit with me.

See you Monday!

 Are you as excited as I am?

I wrote a Novel, now what?

15446 187277182310 640687310 2785152 4967170 n I wrote a Novel, now what?There’s a page that shows up in about a day on the Nanowrimo, that says ‘I wrote a novel, now what’.  I’d suggest checking that one out in conjunction with this one, because this is my personal process for the next 11 months.
In 10 months time, I start planning my next Nanowrimo – I’ll have graduated and will hopefully either be in a position to write full time, or write part time, work out of the house part time, or possibly working full time, back to writing as a hobby.  I’m not entirely sure what the next ten months hold for me, but I do know that in March, I’m editing my three Nanowrimo novels from this year.
And in July, I’m doing something special.  It’s actually a year round project, but is specifically geared up to be ‘done’ along with other people in July.  So, I’m delighted to announce that on January 1st, we launch the National Novel Query month site!  We’ll be running in July, with year round posts, tips, tricks, prep work.  So, we hope you’ll join us.

the writer and the story can be separate – NanoWrimo day 18

2381474122 3b798ae9c5 m the writer and the story can be separate   NanoWrimo day 18

Image by Cayusa via Flickr

I has a migraine, so, instead of being all wise, and clever and down to earth about the fact that I’m now at 55k (WOOOOO!), I thought I’d talk about something thats bothering me for about a dozen reasons right now.

I’m writing three books – two are brand spanking new, as in I’ve only been talking about them or thinking about them, or even contemplating them for about two months, and one, Elliot’s, is a recurring rewrite.  I might talk about them later too.  Anyway, the two that are brand new are…troublesome in ways I never thought I’d get down in words till I thought about it this morning.

They’re bothering me because in some ways they’re very close to the ‘bone’ for me – either because of the mental health aspect in Change, or because of the concept that the story is reflecting what’s going on in my life (Values).  While both are true, at the same time, neither are true.

Values specifically is about a young married couple who, for whatever reason, don’t have kids – the ‘she’ in the story is unsettled and vaguely concerned by it, while he’s not bothered at all.  And the more she pushes, the more he resists. It’s true, the story *started* out life because of a conversation my fiancee and I had and evolved from there, but it’s not the be all and end all of the story.   I’ve started with our situation and played a very skewed ‘what if’ game along the lines of the entire story.

Change is a sci fi time travel story.  The lead narrator so far is a schizophrenic, who has  a very comfortable and intimate relationship with her ‘other self’ in parts of the novel, and is very distant and aloof in other parts – it’s all told from the perspective specifically of the woman that travelled back in time, so at points there really *are* two of them.  It’s boundary challenging and touches on a couple of key stones of mental health that I think tend to be overlooked – that some of us are comfortable in our own skins, even if those skins are bags for something entirely flawed and odd based on conventional norms.

The thing is though, I’m neither schisophrenic or in a relationship as extreme as the one I’m writing about in Values – I’m not a time traveller, and I don’t go around shooting perverts in the unmentionable places that my characters may.  I’m not a cop, and I don’t live in a city quite as warped as Darkness.  What I am is highly imaginative, and intelligent.  I can project the concepts into the ether and build something out of them.  I can let my brain run loose and have a look at where that takes me.  I know freedom and self interest intimately and can be very different in my expression of either of them.

Some people say that when an actor takes on a certain role, it’s hard for them – that it can pull them down and destroy them.  I think sometimes it’s the same for writers – not as often as actors, but sometimes we play a role, we assume a persona, and we write.  It pours out of us, flood and trickle, and we bleed it – the persona – dry.  And then, if we’re lucky, we can remove most of it – because in writing from another perspective, we may have learned a couple of things, so we may never be entirely free.  Other times it might cling for a bit, but we’re always – ALWAYS free to go back to ourselves, and should always be free to do so – and should never be held accountable for the ideology of our characters.

It’s not an argument about free speech though – we aren’t entitled to hurt others deliberately under the guise of ‘character’ and to be honest, if it’s odious enough, warped enough, or revolting enough to make you hesitate (which, I believe sometimes goes beyond ‘transgression’ and on into ‘bad taste’) then you should seriously consider whether you want to share it.  In an ideal world there would only be that reason, but unfortunately, this isn’t an ideal world.

I guess what I’m saying is it’s ok to be a writer – it’s ok to take on these guises and explore your character – what’s not, possibly, ok is to believe that you are responsible in the real world for what those characters do, unless you actually do it.

 the writer and the story can be separate   NanoWrimo day 18

NanoWrimo day 15&16 – looking at the selfish aspect

2980969909 9ec543d377 m NanoWrimo day 15&16   looking at the selfish aspect

Image by mpclemens via Flickr

One of the biggies that I keep hearing from the people I ML from, especially in private, about how to cope with the whole ‘selfish’ aspect of the Nanowrimo.
It got me thinking about how writers are perceived, and how we perceive ourselves, and how that, in turn impacts on how we present ourselves.

The Nanowrimo is about  being brazen about your writing – to say ‘to hell with it, TV repeats, I’ve only got NOW to write’.  People, who aren’t in the habit of writing daily, learn to apply thier butt to the seat.  Those who work and can’t write, but dream of it , get access to a chance to spend the time writing.

And then there’s people like me.  I write for no reason other than I can.  I’d love to make money from it, and have tried in various ways, but it’s something, I think, that I’ve held back from because of a fear of success.  And people might laugh, because it’s a silly fear in some ways, and though I will quite happily lay my soul bare in public, and I am a very public person, but public in my own, controlled way.

There’s a slightly selfish aspect of the NanoWrimo though – that comes up in conversation several times a week in IM and other places.  Selfish isn’t the right word though – and there’s a myriad of the them that come up, selfish, indulgent, spoiling myself, needing family support, taking family time.  It’s not actually the accurate terminology though.  We are doing it for ourselves, but there’s nothing to say that it’s inherently ‘selfish’.  It’s self oriented, but that doesn’t make it selfish.

The thing about writing is that it’s *usually* a lone process.  Lots of other people *are* of course writing when you are, but the NanoWrimo harnesses everything and puts us all in the same place and going through the same process.  Still not selfish.  It’s not selfish because that thought is what keeps us from actually accepting that we can write, and still be a good parent, and keep up with freinds and everything else we do.  We’re not super-people, but writing *can* come higher on our priority lists, without being a bad thing.  And I think that the NanoWrimo kinda highlights that.

Tomorrow, I’m going to talk about how to balance losing a 12th of your working year without feeling selfish – and what to do if your wildest dreams come true.

Wordcount update – 41k approx!

 NanoWrimo day 15&16   looking at the selfish aspect

Who’s ready for the Nanowrimo?

I’m so excited.  Not only did I get to meet Stephen Fry AND Mark Carwardine this weekend at the Cheltenham Literary festival, who both signed my book, and join Neil Gaiman (05)John and Carol Barrowman(08), and Toni Morrison(08) on my pride of place ’signed’ corner, but we’re nearly at Nanowrimo 09!

For those of you that don’t know what it is (where have you BEEN, it’s been running now for 11 years!) basically you go mad for 30 glorious and (legal) stimulant of your choice fuelled days (mine is Coca-Cola and fresh air, alongside copious hugs from the kids and my other half, and write 50k. I take it a step further and aim to do three books during that time – two main, one alt (and I’ll announce what they are this year on Wednesday). Not only do I write three books a year (or at least try – and make it most years to around 120k), but I’m also an ML and a full time student.

I’m actually ready (writing wise at least) this year. I have two different writing software projects – Liquid story binder and WriteWay Pro. I’ve *got* both because they suit the different styles of writing I use, and makes it easier for me to spend time actually writing instead of bending the program to my will.

I also, as a first, grabbed the spreadsheets that have been published for the Nanowrimo – I’ve seen lots of nice ones, but this one (by salzke (nanowrimo username) ) is really cool. Easy to customise to what I need (because it’s a pain in the ass to unlock a sheet and find all the different places that it’s using 50k in it’s calculations instead of, say 150k), and pretty too icon smile Who’s ready for the Nanowrimo? .

I’m already having to make concessions to my other plans – one Nano is part of my dissertation, and I’ll probably be submitting a fragment of the other one for my assignment in December, because there’s no other way to handle it, without going noisily mad.
So, who else is ready?

Planning 101

Just a quick one today – planning is an issue most freelancers struggle with.  I’ve got a huge issue with planning, simply because I can’t.  I use Achieve Planner most of the time, by Effexis, because it’s a solid program and helps me focus on what I’m actually supposed to be doing.  Well…most of the time.  I’m still not very good at sticking to my weekly calendar as it’s planned out (mainly because I find it a faff to look at the calendar and then switch to the actual tasks outstanding), but I also designed my own basic planner system to use alongside it, specifically for blog deadlines ‘etc’.

It lets you record your guest post commitments, plan effectively, and teaches you a little foreplanning along the way, which is always great.

You can download it, at no charge from here: there are basic instructions in the file with it.  Enjoy!

Calender Planning 101Planners

Where would you be comfortable?

Comfort, especially as a writer, is a funny thing.

Lots of people say that they’d be comfortable earning lots of money, and doing the things they love.  Others are sure it’s not about the money, but want to share something with the world.
But how much of that is about actual comfort, and how much is expectation based on perception of success?

I used to think that writing was the be all and end all in my life – slowly though, other things have crept in – I’m learning lingustics which is language in one of it’s purest forms, because forensic linguistics is about the best thing I can think of doing with my life.  But I don’t write nearly as much (for myself) as I’d like.  I’ve cut back on my blogging – I’m not sure where my world actually *is* any more.  I love writing to death, but at the end of the day, beyond uni, I don’t write.  I never thought there’d be a day where I said I hadn’t written something beyond emails, but there are now whole groups of days when I don’t write.  I’m too bone tired – too much on.  And I don’t think I wrote nearly enough last year for Uni either….
I don’t read nearly as much as I used to either – but part of that, I think , is because I’ve put my ereader down *somewhere* and I can’t find it.   Some of it is just because again, there’s no time in the day.

One of the biggies is that as a family, I need to contribute meaningfully – up until recently, we recieved enough funding from the University to just about manage that ‘meaningful’ support – but this last year saw them cut it back, again, which means I either have to find extra funds or cut back again – which isn’t a pleasant prospect to be honest.  So money has an aspect in my comfort, because without it, unfortunately, I can’t AFFORD to write.  But that makes me question whether I’ve got the right perspective on writing anyway.  I can still write, just not as often – but for me, without that be a comfort, or would that cause more harm than it prevents?  I mean, I used to tell people that if I didn’t write, I’d go mad.  And in some ways it’s true. I don’t write and the thought of creating worlds torments me, but it’s a dull itch rather than an all consuming fire.

What are your thoughts?  Where’s comfort for you, and what conditions do you have on it?

Start all over

Late last year, very quietly, I retired from writing.  My last story sold about six months after – and only because I wanted to find out if I was right to quit.
Actually, that’s wrong.  I’ll phrase it a bit more accurately.

I’ve always thought of my writing as water.  It’s essential to life, refreshing, can poison, and be very bad for you in high doses, but it can heal.  It can support, or it can turn on you.  Elementally, I’m more at home with water than anything else.  And water, with pigment is ink.  If writing is water, imagination is pigment.

Up until last summer, writing was the ‘thing’ I did.  It was my ‘thing and the whole of the thing’ as Terry Pratchett would put it, but nevertheless, I had no reason to claim to be a writer, other than it was something I did.  Writers are one of the luckiest – and overburdened – careers in the world.  You need no qualifications to get into the ‘club’ – which is why, increasingly professional organisations expect writers to actually pay their dues by getting publication credits.  Basically, you can say ‘I’m a writer’ – and bash out some words, and that’s it.  I had nothing to show for it though, and I began to feel like a fraud.

That’s one of the worst feelings in the world – it creeps into you – insidious, and sickens you.  It makes the water you’re drawing from that well brackish and bitter.  Every word I typed, just for emails felt like a betrayal.  The pigment I was adding wasn’t ’settling’ right, and in turn my pens clogged up (I know, I’m taking this metaphor WAAAY far).  I even stopped journaling for a while.

For those of us that live and breathe our stories – those that pour our lives into writing, for those that dabble -  anyone that writes for the joy of it, whether it’s once a year at the Nanowrimo, or daily, butt so far into the seat that it’s memory foamed to your rear end, it’s hard to explain.  People think that writing is just sitting down and bashing out words.

And they’re right – that’s part of it.  Another part of it entirely is being so drawn into it as a craft, that you can’t help yourself – giving in wholly and fully, till you’re a shell, and everything that you are is contained in the novel or story, essay or poem you’re working on (and thank god writers have stupidly good regenerative powers).
I’ve been telling people for so long that I’m a writer – that it’s all I can do to stop the noise and clamour in my head, that I’ve forgotten how to be anything else.  But even then, in the last few years, I’ve burned out, and forgotten how to *be* a writer.  I was going through the motions – like a relationship that everyone knows should have ended long ago, and is just a soulless shard of the passion it once contained – or a friendship that’s grown apart.  I thought I’d grown apart from my writing.

Turns out – I hadn’t.  One of the major aspects of head injury, of any kind, is disassociation – part of it is fear, because if you can *see* where you excelled and can’t do it anymore, where does that leave you?  Another part of it is inability and tiredness – I barely cope with the ‘immediate’ around me, let alone anything else, so writing took a back burner.  I worked on pieces for Uni (I’m two years through a three year degree in Creative Writing and Psychology) but…there was nothing there.  It had caved in, or sealed, and I thought that was it.

It’s not.

It’s just the beginning again.  I forgot the joy of finding untapped sweet spots, where it’s so pressurised and solid that stories gush free from underneath my feet – I forgot that if my stories are water, there are rivers, streams, estuaries, feeding back to the sea.  And that it’s fine to bathe in them – it’s acceptable to dream, and revel and remember everything again.  It’s a bit of a pain that it’s gone at the moment, but it’s OK.

I decided, because this is a fairly common ‘complaint’ of writers, and because I’m able to, that I’d blog this.  So…start all over.

Take my hand, I promise I won’t let you drown; the water’s cold, and you might get a couple of stains in places you never thought of before, but it’s too much fun to miss.  And you never know what those stains might invoke for you….

Truly, madly, deeply

There’s something comforting about pidgeonholes.  For a start you know where you’re supposed to be.  And in a world that likes to spend it’s time categorising and deciding where we belong, knowing where you *are*, especially as a writer, is golden.

It means you can decide where to market yourself.  Know where to spend your time promoting.  So, alongside the discussion about how I set my carreer back up, and put MYSELF back in the driving seat, how I handle pen names ‘etc’, I’m also going to talk about the important things, like marketing, and promotions, and self editing, and idea gathering, and workload management.

In fact, WorkBacktoNow is going to be YOUR goto blog for information.    See ya soon!

The five most alluring words in the English Language

I don’t remember exactly where I saw this, but the words, quickly, naturally, easily, instantly, and freely have an odd effect on people. They cause them to percieve your copy as both upbeat and ‘honest’ and therefore makes it easier to associate postively with them, which in turn COULD boost your sales message.
(from the random grammar nerd department)