Nano day 2 – procrastinate

300px OstrichFeatherDuster Nano day 2   procrastinate

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I procrastinated to death today.
I cleaned the kitchen and bathroom – to let my stories flex and write them in my head today.  I can’t work out why, but despite feeling I was ready and desperate to write, the last day or two has been like pulling teeth.  The voices still haven’t quite settled into what they want – and forcing them into translation is impossible.

I understand the theory of it – there’s no way to impose a linguistic structure on anything with any expectation of authenticity, if it isn’t the right structure – you can’t use words that don’t fit with the contextual or thought patterns of the character – and I think that would break a story far worse than a contrived plot, or unbelievable set of circumstances.

Though, you could also argue that a book is simply the reenactment of a story, and actors adopt different linguistic and positional structures all the time, so on the flip side, a linguistically altered book may hold more true than one that’s entirely, and accurately authentic to the underlying concept.

And why yes, I’m still dodging the writing icon wink Nano day 2   procrastinate

Nanowrimo day 2 Word Count – 1355 – pitiful, and only some added to Values.

 Nano day 2   procrastinate

Today’s random elements (day 2, Nanowrimo)

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Image by Indy Kethdy via Flickr

Random elements is something I’m going to try and include in every novel this year round, within reason.  I’m not going to have pink rabbits romping through a scene with Elliot for a start, but I think, given I’m interested in symbolism and Linguistics, that this is a good challenge.
If you think about it – what’s the hardest thing to include in a story – something that patently shouldn’t be there – so the only way to blend that away is to find a way to include the element contextually.  Why yes, I do feel very self concious saying stupid things, thanks for asking icon wink Todays random elements (day 2, Nanowrimo)
I’ve had:

Audience (From Molly S) –  A freak Snowstorm in July(from JC), and from my beloved I got – A datacentre on fire/A penguin from Edinburgh Zoo.

Nano Day 1 -no’so’good

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Image by Bright Meadow via Flickr

I’ve never had quite such a….slow start to the Nanowrimo before.  It’s not that I don’t know what I want to write – it’s more that I know this year I’m going to be writing myself into the stories – Change and Values are both, inherently, a narrator telling a story.

Except Values seems to be (so far) tainted narration – the woman knows what she wants to say, but she’s tempering it based on what her partner has said to her/is saying to her/wants to say to her.  She’s telling it from an odd perspective too – not quite at the end, but already jumping to conclusions.  I can’t ignore her – but at the same time, I wanted to do Change first, and set ‘one’ of the scenes.

So all I’m hearing from the narrator in ‘Values‘ is apologies for her partner’s attitude and beliefs, overlayed with her opinions, and her wants – her needs.  Most of all, she’s desperate.

Change on the other hand, is dreamy, soft, sleepy.

Final wordcount for today (because I’ll always do the official round up at 11pm even if I’m writing after, for simplicity sake) – 1306.

I’d also love it if someone (or someones) could suggest something random to include in my story.  I’ve x-posted this to facebook, and twitter icon smile Nano Day 1  nosogood   Just share it in the comments and I’ll let you know tomorrow which I picked.

 Nano Day 1  nosogood

Change – introduction

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Image by Adcuz via Flickr

Zoe

Eyes burn scant inches from the glass, my voice is hoarse.   I don’t manage to explain it the first few times, instead gulp and blink dazedly at a world untouched by the heat and pain I’d stepped away from.  It wasn’t a balm – instead an earlier time, and I knew it.  Even if I didn’t believe.  Even if I thought it was a fever dream – that I’d come down with another bad infection and I was lying in a hospital bed, or against a thick leaded pain of glass in the ward, my hands draped lifelessly over the edge of the bay seat in that quiet, still, cocooned ward.

Change, a breakout scifi novel by D Kai Wilson features a dizzying blend of perspectives, an honest and raw look at what people would do if thier world suddenly changed, and a touching, moving conversation with past and future selves.

From tomorrow – I’ll post where I’ve gotten to – and a request for random input – so please check back/subscribe to the site (sidebar) and I’ll thank the person who gave me the ‘random’ element each day icon smile Change   introduction

 Change   introduction

Nanowrimo day 0 (midnight 1st November)

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Image by mpclemens via Flickr

I’m so excited right now that I can’t sit still – I don’t usually get to start till around 1am on the 1st anyway, because I take care of all the last minute support, cheering and shoving that gets my region into full swing – from the people having cold feet, to those with writer’s cramp, I’m the voice that hopefully talks them into going from it anyway.

I don’t get talked into it myself though – which is why this year, I’m doing my level best to be actually accountable.
And here it is.

First book is my alt-sci fi Dissertation (at least part of it will be), Change.

I’ll get to start in 7 minutes…woot!

 Nanowrimo day 0 (midnight 1st November)

Why nine tales?

Bassariscus Why nine tales?

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One of the first questions that gets asked when people see the name of the site is ‘why nine tales?’

And I thought I had an answer when I started this blog – it seems kinda selfish to start *yet another* blog all about the facets of me that no one sees, but I think one of the most important things that I’ve been learning lately is that there’s a running joke that I’m bipolar, so only have two sides – creative and technical; because I write and I code, I’m seen as part anachronism, part regular joe, but I learned to my cost last year that I’m far more complex than I’ve given myself credit for.

So Kai-o-9-tales is a bit of a play on words, a bit of a joke, and a bit of a showcase.  I hope you enjoy it here – but I’ll be talking everything from writing to publishing, to parenting, to everything else.  And while it’s true that I have other blogs that I do all that stuff on, I’m hoping to cross post selectively, and maintain an overall presence while splitting off into a niche where I can.

Welcome along for the ride!

 Why nine tales?

And the 09 Nanowrimo Novels are….

Change (7.5k more or less is part of my dissertation)- science, technology, and the understanding of how knowledge affects our decisions.

Glass Block (redux, last rewrite, from scratch) – seven years after writing the original, I’m going to rewrite it one last time, and it, with all of my other stories are going on a pen drive in our safe – no more deleting them in a fit of pique.

AND

Valubaby(creative non)fiction (which will be more fiction than non) about the pain of working out whether it’s possible to have children in certain situations.  Of all three, this one is going to be the hardest.  There’s been a lot of conversation about family in my units of friends – perhaps because, in most circles, I’m either the youngest, or appear to be the youngest of my friends, and in other circles, I’ve got friends that aren’t even there yet (in a relationship and having kids), so I’ve got few people I can talk to about it – which means my feelings, worries, fears, and all the other things that affect our personalities anyway, grew into a shadow of a person of their own. (I’ll explain more on that on Friday!).  If I ignore her, she’s only going to get louder, so I’m going to write her story, and see where it takes me.  Much like ‘Sleepless’ which I wrote in 2005, and 21 Doors in 2006, this one is fairly close to the bone in many places, so I’m carefully working out how to handle it.

Anyone else got thier titles and blurbs worked out yet?

Who’s ready for the Nanowrimo?

I’m so excited.  Not only did I get to meet Stephen Fry AND Mark Carwardine this weekend at the Cheltenham Literary festival, who both signed my book, and join Neil Gaiman (05)John and Carol Barrowman(08), and Toni Morrison(08) on my pride of place ’signed’ corner, but we’re nearly at Nanowrimo 09!

For those of you that don’t know what it is (where have you BEEN, it’s been running now for 11 years!) basically you go mad for 30 glorious and (legal) stimulant of your choice fuelled days (mine is Coca-Cola and fresh air, alongside copious hugs from the kids and my other half, and write 50k. I take it a step further and aim to do three books during that time – two main, one alt (and I’ll announce what they are this year on Wednesday). Not only do I write three books a year (or at least try – and make it most years to around 120k), but I’m also an ML and a full time student.

I’m actually ready (writing wise at least) this year. I have two different writing software projects – Liquid story binder and WriteWay Pro. I’ve *got* both because they suit the different styles of writing I use, and makes it easier for me to spend time actually writing instead of bending the program to my will.

I also, as a first, grabbed the spreadsheets that have been published for the Nanowrimo – I’ve seen lots of nice ones, but this one (by salzke (nanowrimo username) ) is really cool. Easy to customise to what I need (because it’s a pain in the ass to unlock a sheet and find all the different places that it’s using 50k in it’s calculations instead of, say 150k), and pretty too icon smile Who’s ready for the Nanowrimo? .

I’m already having to make concessions to my other plans – one Nano is part of my dissertation, and I’ll probably be submitting a fragment of the other one for my assignment in December, because there’s no other way to handle it, without going noisily mad.
So, who else is ready?

Planning 101

Just a quick one today – planning is an issue most freelancers struggle with.  I’ve got a huge issue with planning, simply because I can’t.  I use Achieve Planner most of the time, by Effexis, because it’s a solid program and helps me focus on what I’m actually supposed to be doing.  Well…most of the time.  I’m still not very good at sticking to my weekly calendar as it’s planned out (mainly because I find it a faff to look at the calendar and then switch to the actual tasks outstanding), but I also designed my own basic planner system to use alongside it, specifically for blog deadlines ‘etc’.

It lets you record your guest post commitments, plan effectively, and teaches you a little foreplanning along the way, which is always great.

You can download it, at no charge from here: there are basic instructions in the file with it.  Enjoy!

Calender Planning 101Planners

My writing process – introduction

A couple of years ago, I got into a dual discussion, one on my LiveJournal, and one on a mailing list I was with, about ‘how I wrote everything I did’.  A lot of the writers that were in those places weren’t sure I was being entirely honest, entirely fair, or entirely ‘living in the real freaking world’ about my writing.  Those comments have stuck with me in the last few years, as I’ve refined and redesigned my process and gone from prolific to dammed scary in about three months.

I write, on average, 4k a day for clients.  These articles might reduce in number a bit if I’m writing content on a subject I know less about, but in general, I write about that much.  Afternoons and evenings when I write or work, I’m either writing up to another 5k on client stuff, or I’m writing about that again on my own books.  An average week for me sees me adding between 15 and 20k to my own novels, and working on client stuff, or uni stuff, or all three.

It’s taken getting used to several different sets of tools and adapting them to accurately reflect what I need to use them for – or adapting outlines offered in several books that explain how to write drafts in (x) days, but it’s something I believe anyone can do.  So in the next posts, I’m going to explain how I do it, and offer some alternatives for different types of writers (if they exist).

Enjoy!

Where would you be comfortable?

Comfort, especially as a writer, is a funny thing.

Lots of people say that they’d be comfortable earning lots of money, and doing the things they love.  Others are sure it’s not about the money, but want to share something with the world.
But how much of that is about actual comfort, and how much is expectation based on perception of success?

I used to think that writing was the be all and end all in my life – slowly though, other things have crept in – I’m learning lingustics which is language in one of it’s purest forms, because forensic linguistics is about the best thing I can think of doing with my life.  But I don’t write nearly as much (for myself) as I’d like.  I’ve cut back on my blogging – I’m not sure where my world actually *is* any more.  I love writing to death, but at the end of the day, beyond uni, I don’t write.  I never thought there’d be a day where I said I hadn’t written something beyond emails, but there are now whole groups of days when I don’t write.  I’m too bone tired – too much on.  And I don’t think I wrote nearly enough last year for Uni either….
I don’t read nearly as much as I used to either – but part of that, I think , is because I’ve put my ereader down *somewhere* and I can’t find it.   Some of it is just because again, there’s no time in the day.

One of the biggies is that as a family, I need to contribute meaningfully – up until recently, we recieved enough funding from the University to just about manage that ‘meaningful’ support – but this last year saw them cut it back, again, which means I either have to find extra funds or cut back again – which isn’t a pleasant prospect to be honest.  So money has an aspect in my comfort, because without it, unfortunately, I can’t AFFORD to write.  But that makes me question whether I’ve got the right perspective on writing anyway.  I can still write, just not as often – but for me, without that be a comfort, or would that cause more harm than it prevents?  I mean, I used to tell people that if I didn’t write, I’d go mad.  And in some ways it’s true. I don’t write and the thought of creating worlds torments me, but it’s a dull itch rather than an all consuming fire.

What are your thoughts?  Where’s comfort for you, and what conditions do you have on it?

Start all over

Late last year, very quietly, I retired from writing.  My last story sold about six months after – and only because I wanted to find out if I was right to quit.
Actually, that’s wrong.  I’ll phrase it a bit more accurately.

I’ve always thought of my writing as water.  It’s essential to life, refreshing, can poison, and be very bad for you in high doses, but it can heal.  It can support, or it can turn on you.  Elementally, I’m more at home with water than anything else.  And water, with pigment is ink.  If writing is water, imagination is pigment.

Up until last summer, writing was the ‘thing’ I did.  It was my ‘thing and the whole of the thing’ as Terry Pratchett would put it, but nevertheless, I had no reason to claim to be a writer, other than it was something I did.  Writers are one of the luckiest – and overburdened – careers in the world.  You need no qualifications to get into the ‘club’ – which is why, increasingly professional organisations expect writers to actually pay their dues by getting publication credits.  Basically, you can say ‘I’m a writer’ – and bash out some words, and that’s it.  I had nothing to show for it though, and I began to feel like a fraud.

That’s one of the worst feelings in the world – it creeps into you – insidious, and sickens you.  It makes the water you’re drawing from that well brackish and bitter.  Every word I typed, just for emails felt like a betrayal.  The pigment I was adding wasn’t ’settling’ right, and in turn my pens clogged up (I know, I’m taking this metaphor WAAAY far).  I even stopped journaling for a while.

For those of us that live and breathe our stories – those that pour our lives into writing, for those that dabble -  anyone that writes for the joy of it, whether it’s once a year at the Nanowrimo, or daily, butt so far into the seat that it’s memory foamed to your rear end, it’s hard to explain.  People think that writing is just sitting down and bashing out words.

And they’re right – that’s part of it.  Another part of it entirely is being so drawn into it as a craft, that you can’t help yourself – giving in wholly and fully, till you’re a shell, and everything that you are is contained in the novel or story, essay or poem you’re working on (and thank god writers have stupidly good regenerative powers).
I’ve been telling people for so long that I’m a writer – that it’s all I can do to stop the noise and clamour in my head, that I’ve forgotten how to be anything else.  But even then, in the last few years, I’ve burned out, and forgotten how to *be* a writer.  I was going through the motions – like a relationship that everyone knows should have ended long ago, and is just a soulless shard of the passion it once contained – or a friendship that’s grown apart.  I thought I’d grown apart from my writing.

Turns out – I hadn’t.  One of the major aspects of head injury, of any kind, is disassociation – part of it is fear, because if you can *see* where you excelled and can’t do it anymore, where does that leave you?  Another part of it is inability and tiredness – I barely cope with the ‘immediate’ around me, let alone anything else, so writing took a back burner.  I worked on pieces for Uni (I’m two years through a three year degree in Creative Writing and Psychology) but…there was nothing there.  It had caved in, or sealed, and I thought that was it.

It’s not.

It’s just the beginning again.  I forgot the joy of finding untapped sweet spots, where it’s so pressurised and solid that stories gush free from underneath my feet – I forgot that if my stories are water, there are rivers, streams, estuaries, feeding back to the sea.  And that it’s fine to bathe in them – it’s acceptable to dream, and revel and remember everything again.  It’s a bit of a pain that it’s gone at the moment, but it’s OK.

I decided, because this is a fairly common ‘complaint’ of writers, and because I’m able to, that I’d blog this.  So…start all over.

Take my hand, I promise I won’t let you drown; the water’s cold, and you might get a couple of stains in places you never thought of before, but it’s too much fun to miss.  And you never know what those stains might invoke for you….

Truly, madly, deeply

There’s something comforting about pidgeonholes.  For a start you know where you’re supposed to be.  And in a world that likes to spend it’s time categorising and deciding where we belong, knowing where you *are*, especially as a writer, is golden.

It means you can decide where to market yourself.  Know where to spend your time promoting.  So, alongside the discussion about how I set my carreer back up, and put MYSELF back in the driving seat, how I handle pen names ‘etc’, I’m also going to talk about the important things, like marketing, and promotions, and self editing, and idea gathering, and workload management.

In fact, WorkBacktoNow is going to be YOUR goto blog for information.    See ya soon!

Is your sleep costing you your creativity?

I’m a parent. I know what it feels like to burn the midnight oil, at both ends and then crash and burn.
But recent studies suggest that without a regular sleep pattern, those of us with careers as writers could actually be damaging our writing ability.

How?

Well, apparently, there’s a couple of studies kicking around out there that suggest that if you don’t get optimum sleep, you can’t create, or function at your best.  You over compensate through ’substance’ (caffine) abuse, and end up wrecking your creative ability, sometimes permanently.

I’m a four hour a night girl, or was, until my partner ‘trained’ me to sleep more.  At that point, I started to lose my edge.  I still wrote, but not as well – I@m now eight hours and always tired and barely writing.  But did I write more because I was wired, and it wasn’t as good, or is the smaller volume I’m writing now the best I can do?  For that matter, what’s your sleep/creativity quotient?

The five most alluring words in the English Language

I don’t remember exactly where I saw this, but the words, quickly, naturally, easily, instantly, and freely have an odd effect on people. They cause them to percieve your copy as both upbeat and ‘honest’ and therefore makes it easier to associate postively with them, which in turn COULD boost your sales message.
(from the random grammar nerd department)

Before me….

Before this post is a blog artifact that I found.  I’m calling it an ‘artifact’ because it was entirely unexpected.  I’d locked off a site I’m now using for a book, and didn’t realize I had a whole blog there.  So if I’ve suddenly gained posts, sorry!